Biography (Scorrere verso il basso per la versione italiana.)
David Salvage (b.1978) is an American composer and pianist living in Bologna, Italy. Born into a family of non-musicians, at age four he asked his parents for a piano, a wish that was granted on the condition that he take lessons for five years. Instead, he took them for fifteen years, along the way developing an interest in composition, winning local and national competitions as a pianist and composer, becoming one of the first pianists selected for the prestigious Perlman Music Program, and winning a scholarship to Harvard University, where he shifted his focus to composition. He continued his studies at Manhattan School of Music and the City University of New York, earned his PhD with a dissertation on György Kurtàg, and went into academia full-time, teaching music theory and history. A lifelong Europhile, when the opportunity arose to live abroad, he took it, and now he is a dual citizen of Italy and the United States. He has been commissioned to write for orchestra, film, choir, and ensembles of all kinds and has received over a hundred performances at venues ranging from the Juilliard School in New York to the British Institute of Florence and the Minobu Town Center in Minobu, Japan. His music is published by Universal Edition, Vienna, and has been recorded on Deux-Elles and Navona Records. His most recent commission was a new work for the world-famous ocarina player Fabio Galliani. In Bologna, Salvage sings tenor in the Cappella Musicale di San Petronio and gives concerts with trumpeter Marco Trebbi (Duo Himmel). He is married with three children.
Versione italiana —
David Salvage (1978) è un compositore e pianista statunitense che abita a Bologna. Nato in una famiglia estranea alla musica, all’età di quattro anni ha chiesto un pianoforte ai genitori, un desiderio che è stato esaudito a condizione che prendesse lezioni per cinque anni. Le ha seguite invece per quindici anni, e lungo il percorso ha sviluppato un particolare interesse per la composizione, ha vinto premi regionali e nazionali come pianista e compositore, è diventato uno dei primi giovani pianisti scelti per il Perlman Music Program, e ha vinto una borsa di studio alla Harvard University, per poi decidere di concentrarsi sulla composizione. Ha continuato i suoi studi presso la Manhattan School of Music e la City University of New York, ha conseguito il dottorato di ricerca con una tesi su Gyorgy Kurtàg, e ha trovato lavoro nell’ateneo insegnando a tempo pieno storia della musica e teoria musicale. Filoeuropeo da sempre, ha colto l’opportunità di trasferirsi all’estero quando questa gli si è presentata e ora possiede la doppia cittadinanza statunitense e italiana. Ha composto musica per orchestra, film, coro e insiemi di diversi generi e le sue opere hanno ricevuto più di cento esecuzioni in sedi come la Juilliard School, il British Institute of Florence, e il Minobu Town Center in Giappone. La sua musica è pubblicata da Universal Edition Vienna e è stata registrata su Deux-Elles e Navona. La sua commissione più recente è un’opera nuova per l’ocarinista Fabio Galliani, famoso in tutto il mondo. A Bologna Salvage canta tenore nella Cappella Musicale di San Petronio e dà concerti col trombettista Marco Trebbi (Duo Himmel). È sposato con tre figli.
Albumleaf 140: July 31, 2018 (Granville) Had to record this one before my right elbow fell off. Ravel quote for music geeks.
Albumleaf 139: July 22, 2018 (Granville) I’ve got as much swing in me as a Corelli concerto grosso. But I’ll take those harmonies thank you, jazz. P.S. In English, the best you can do for the title is “drowsiness.”
Albumleaf 138: July 20, 2018 (Granville) Thomalin in the valley and Morrell on the hill debate the merits of tending their flocks down low or up high. Â (Listen closely for the sly fox.)
Albumleaf 137: July 5, 2018 (Bologna) Chillaxin’.
Albumleaf 136: July 3, 2018 (Bologna) If ever a title required explanation, this is it. Back in November 2012, I began writing an Albumleaf inspired by Mooney Warther’s wooden sculpture “Plier Tree†(pictured below). I quickly became mired in “masterpiece mode,†completing page after page of sketches, throwing away music, starting and restarting, and so […]
In this installment, Colin isn’t feeling too summery after Rosalind’s rejection and despite Hobbinol’s entreaties. Albumleaf 135: June 10, 2018 (Bologna)
Give this one the miss if you can’t handle C-major scales. Albumleaf 134: June 2, 2018 (Bologna)
[Short-piece writers] sit on the edge of Literature. In the house of Life they have the feeling that they have never taken off their overcoats. . . . [Such a writer’s] ears are shut to the ominous rumblings of the dynasties of the world moving toward a cloudier chaos than ever before, but he hears […]
I like Liszt–especially the B-minor sonata. But when tunes get stuck in your head? Not so much. Albumleaf 133: May 26, 2018 (Bologna)
Say you’re a tender little goat in a poem by Edmund Spenser, and a stranger comes knocking at your door asking for charity. Do you open? Albumleaf 132: May 15, 2018 (Bologna)