Albumleaf 214: October 16, 2025 (Bologna)
There are some ideas in this one.
From the dense, cloudy chords, the music extracts perfect fifths, the most consonant interval between two different pitches, a symbol of the absolute, an ideal, a concept of perfection, “hidden words.”
But in two instances, dissonant intervals emerge from the chords. In the first case, a harsh major seventh—an interval to represent anxiety and doubt. After more perfect fifths, a second dissonant interval emerges: a major ninth—a less dissonant interval, less anguished and doubtful; in fact, the interval is simply two stacked perfect fifths. Some peace has been gained.
The meter is also in three, the historical “tempus perfectum” of music. But the meter is articulated only faintly: its perfection is always there, but it’s not always easy to perceive
So, the piece is a small statement of faith, of the healing potential of religious contemplation.


